typography

Using Type Rendering Mix you can instead decrease the font weight for browsers that use Core Text to render text. By only applying changes when Core Text is used you will achieve a more consistent rendering while preserving the accuracy of sub-pixel antialiasing. .tr-coretext { font-weight: 100; } Another use case for Type Rendering Mix is to disable web fonts when no antialiasing is applied. In the following example we fall back on “Verdana”, one of the core web fonts that is known to render well when antialiasing is disabled.

CSS currently doesn't offer complete down-to-the-letter control. So we created a jQuery plugin to give you that control. Here are a few examples of what can easily be done with Lettering.js:
Kerning Type
Editorial Design
Manageable Code
Complete Control

The Lost Type Co-op is a collaboration between Tyler Galpin and Riley Cran. It was founded with the intention of providing unique and quality fonts based on a pay-what-you-want model. All designers get 100% of the donations their font receives.

The choice is enormous, so the time you need to find them is usually time you should be investing in your projects. We search for them and find them so that you don’t have to.

In this selection, we’re pleased to present Pompadour Numeral Set, Lato, Crimson Text, Espinosa Nova, Musa Ornata, Spatha Sans, ColorLines, Roke1984, Neuton, Avro, Baurete and other fonts. Please note that some are for personal use only and are clearly marked as such.

finding fonts that were allowed to be used online was difficult to say the least, but the mere utterance of the word "open source" was nearly a felony to type designers everywhere. Today we have individuals standing up, creative typographers conquering new ground, foundries dedicated to the movement, and not only acceptance, but widespread usage from big-name companies to amateurs just messing around.

I'm here to give you a tour of not only the best open source fonts available, but how you can get started contributing, and what my vision is for where it's going.

Good typography shouldn’t have to rely on ornamental crutches to stand tall. Yet despite all the tools and knowledge available to us, we readily embrace a flourishing, decorative typography, with cheap tricks used in a misguided attempt to make it “pop”. This ancient art may rapidly be gaining popularity, but are we paying it the respect it deserves?